Servitors: Nagar, Negen, Mara, Igarag.
The word on the outer edges of the Square, ARNEB, comes from the Hebrew ארנב (arneb), ‘rabbit.’ The spirit name evident in the Central Cross can be interpreted as either that of Nagar or Negen, though the perfect use of palindromes throughout this Square suggests the that the letters NAG, representing Nagar, are the most meaningful. Nagar’s name derives from the Hebrew נגר (nagar) denoting ‘liquid’ or ‘flowing,’ while Negen derives from נגן (negen) meaning ‘a musician.’ RIAME may be a derivative of ראים (raim), meaning ‘seeing’ and has a connotation linked with mirrors, scrying and visions.
I saw a white rabbit, more suitable as a family pet than a wild animal, alone in a wood. Knowing that predators were after it, it sniffed the air and grew afraid. It dug a hole in the ground to hide and made its way into a warren where other rabbits told it that it needed to change its skin if it wanted to survive. These words of advice were followed by what looked like a great mound of white flesh being ripped open by a grotesque, yawning wound from which no blood flowed, as though it was the flesh of a corpse. From inside the pale, fleshy mass, a pallid face was visible which had milky-white, lidless eyes. The torn flesh that surrounded the head of this being enveloped its chin and scalp like a grotesque helmet before changing its appearance to that of a gaping shark. The figure that wore this apparel around its head then stood to its full length, its mouth by the lower jaw of the shark’s head and said ‘I am your nature’ to me in a whispering voice, and communicated that it was a god of the sea. It then towered up above me and, looking up, I saw the inside of the shark’s mouth, its rows of vicious teeth lining the inside of its skull like thousands of rows of white stalactites in a cave.
Then I was standing in the wood again and before me was a centaur. Gesturing to the ground it said to me ‘shall we get that thing out of there?’ and I agreed that we should. It then caused a small explosion on the forest floor and revealed something akin to an underground laboratory rather than the warrens that the rabbit had fled into in the space below the earth. The place was old-fashioned and ruined and bundles of loose wires were strewn from the archaic machinery that furnished the lab. I asked the centaur if it could fix the place and it said that it could and after a short delay filled with strange, disconnected visions—which included me looking into the lens of a pair of mirrored sunglasses and seeing someone else’s reflection looking back at me—the centaur announced that the equipment was now in working order. All over the floor were scores of small robots, which proceeded to flicker into life with LEDs flashing and with gaits like those of clockwork toys as they walked. The spirit prompted me to command the toy robots out into the world and give them a task to accomplish. This I did, and once this was done, I found myself standing behind a tall man in a hotel lobby whose presence was causing great fear to the guests and staff there, and some sort of havoc started to be broken loose just as the vision ended.
Like the previous experiment, there was something hidden beneath the forest floor in this vision. This time however, the lifeless automatons that were there were brought to life with the assistance of a greater spirit, who, considering his appearance as a centaur in the woods, may have represented the Lemegeton spirit Barbatos. The loosing of the robots found in the underground laboratory was akin to the releasing of many spiders from a cleft in the Earth in the first of these experiments, which gave visions of A Beautiful Lawn. The appearance of a shark-like spirit was similar to the monstrous water spirit that appeared in the visions of A Vineyard and Peacocks. That this foul-looking monster was submerged in flesh and said ‘I am your nature’ on being released from it may be of some kind of significance. Also significant was the assisting spirit asking me if we should ‘get that thing out of there,’ which may have been a form of exorcism ridding me of a parasitic entity or emotion. The fixing of broken machinery inside an underground lair may have referred to inner processes of the mind or brain and the coming to life and sending forth of small robots may have been the releasing of a magical force designed to assist with a specific worldly objective. The underground machinery and clockwork motions connected with it is also reminiscent of some of the events seen in the vision of A Village.
The Square was constructed with the Moon at 5º Scorpio and scried with the Moon at 14º Scorpio. Notably, this is a malefic water sign.